The Scoop – A funny and insightful screwball comedy about growing up and knowing who you are.
Tracy (Lola Kirke) is struggling to settle into college in New York. Nobody wants to be her friend, the Literary Society don’t want her as a member, and the boy she likes would rather be with someone else. So on impulse, she calls the only other person she knows in town: Brooke (Greta Gerwig), who is set to become Tracy’s stepsister when her mother remarries in the summer.
Though she’s hardly any older than Tracy, Brooke seems to occupy a whole other world, full of exciting possibilities. A friendship with Brooke – self-mythologiser, over-sharer, enormous fun, and quite possibly an enormous fake – will be unlike any other.
The Scoop –As human and subversive as it is noisy and brash, Mad Max: Fury Road is a journey like no other.
In the post-apocalyptic desert that was once Australia, former warrior for justice Max Rockatansky (Tom Hardy) has been reduced to his basest survival instincts. Captured by men who serve the tyrannical warlord Immortan Joe (Hugh Keays-Byrne), Max is imprisoned and has his blood drained into sick soldier Nux (Nicholas Hoult).
Meanwhile Imperator Furiosa (Charlize Theron), one of Joe’s lieutenants, is sent on a mission to collect gasoline from a nearby town. But en-route she drives her truck wildly off course, and Joe realises that she has kidnapped five of his ‘wives’ – young women kept for breeding – and is making a desperate bid for freedom.
When Nux and the other soldiers set off in pursuit, Max is brought along – and so begins a terrifying odyssey through the wasteland.
The Scoop – At once delicate and deeply powerful, Room finds hope in the midst of unimaginable horrors.
Jack (Jacob Tremblay) is turning five. He’s excited to celebrate his birthday by making a cake with his beloved Ma (Brie Larson). Jack’s life is happy and colourful, filled with daydreams and imaginary friends. Jack’s world is the size of a single room.
But now he’s bigger, Ma wants him to know something. The world outside, the pretend world he thought only existed on TV, is real. And Ma is concocting a plan to escape the clutches of their captor, leaving Room behind forever.
The Scoop – Though not as riotously entertaining as David O. Russel’s best work, Joy nevertheless provides a great showcase for Jennifer Lawrence as a truly inspirational woman.
Joy (Jennifer Lawrence) was a creative, vivacious, high-achieving child. But somewhere along the line, life stole her spark. Her parents’ divorce, a failed marriage to Tony (Edgar Ramirez), caring for two children, trying to hold down a job, and managing the chaos that her mother (Virginia Madsen), father (Robert De Niro) and half-sister (Elisabeth Rohm) throw her way, have all caused Joy to sideline her own dreams.
Her grandmother Mimi (Diane Ladd) is determined to see Joy rise and take her place as matriarch and provider for the family. And when Joy hits on an ingenious design for a self-wringing mop, it could be the key to unleashing her buried potential.
The Scoop – A sweeping and beautifully designed 1950s love story
Therese Belevit (Rooney Mara), a wide-eyed New York shopgirl, is captivated by her first glimpse of a glamorous older customer in a fur coat. When Carol (Cate Blanchett) leaves her gloves behind in the store, Therese returns them, and the two women begin spending time together. Though neither of them quite has the words to convey it, they are drawn together by a powerful attraction.
Carol is divorcing her husband Harge (Kyle Chandler), but he is still possessive of her. When he finds out about Therese, he threatens Carol with legal action that would block her from seeing their young daughter.
The Scoop – a sweet-natured, old-fashioned love story that’s bound to charm.
A big change is coming for small-town Irish girl Eilis (Saoirse Ronan). Concerned about the lack of opportunities for her at home, her older sister Rose (Fiona Glascott) has arranged for her to emigrate to Brooklyn, New York. One rather rough voyage later and Eilis is walking through the famed checkpoint at Ellis Island, into her new life.
At first all she can think about is how much she misses home. But with the encouragement of kindly priest Father Flood (Jim Broadbent), and of the community of women in the boarding house where she stays, Eilis gains confidence. When she meets a kind, funny Italian boy named Tony (Emory Cohen) she begins to fall in love both with him and with Brooklyn.
Just when she’s beginning to think of America as her home, Eilis gets some shattering news from Ireland. She will need to decide, once and for all, where she really belongs.
The Scoop –A powerful account of an essential chapter in history
Maud (Carey Mulligan) is a dutiful wife to Sonny (Ben Wishaw) and a loving mother to their young son George (Adam Michael Dodd). Her laundry job is back-breaking, and she barely has it in her to question why she is paid less than the men who work there, or why her supervisor routinely gets away with sexually assaulting the women in his charge.
When her friend Violet (Anne-Marie Duff) introduces her to the Suffragette movement, Maud’s frustration finally finds an outlet. Cautious at first, she is soon influenced by women such as Edith Ellyn (Helena Bonham Carter), Emily Wilding Davison (Natalie Press) and the movement’s outlaw leader Emmeline Pankhurst (Meryl Streep).
Maud is about to learn how much it will cost her to be a revolutionary. But the more she loses, the bolder she becomes.
Note: Guides from our archive are in a slightly different format and have been edited here to make them more user-friendly. This guide was written by Hannah Rowe.
It’s the golden Edwardian summer of 1914 and Vera Brittain (Alicia Vikander) is excited about what the future holds. After persuading her parents (Dominic West and Emily Watson) to let her sit the entrance exam and tutoring herself, she has been offered a place to study at Oxford and will soon escape provincial Derbyshire. Her brother Edward (Taron Egerton) is also Oxford-bound along with school friends Victor (Colin Morgan) and Roland (Kit Harrington). Vera and Roland, both aspiring writers, have been in correspondence with one another over the last few months and are falling in love. But as they embark on a heavily chaperoned courtship, the bells of war begin to toll and their worlds are turned upside down. Roland immediately turns down his place at Oxford to enlist and is soon joined by Edward and Victor. Vera moves to Oxford alone but after a while finds it impossible to study in the context of war. She surrenders her hard-won place at Oxford to become a nurse.
Day after day the newspapers list pages upon pages of the dead, and it becomes apparent that the war is not going to be as brief as everyone first thought. Vera’s nursing takes her to the western front where she witnesses the devastating cost of war on both sides. As she nurses captured German soldiers the seeds of her future pacifist thinking are sown. Will the Armistice come soon enough to save Vera’s loved ones and will she be able to find any hope in the devastation left by war?
Note: Guides from our archive are in a slightly different format and have been edited here to make them more user-friendly. This guide was written by Rachel Helen Smith.
A Little Chaos is rated 12 for moderate sex. The film is available on DVD.
What King Louis XIV (Alan Rickman) wants, he gets. In 1682, he decides he wants a monumental garden for the Palace of Versailles, full of terraces, ponds and fountains. Landscape architect André le Nôtre (Matthias Schoenaerts) is put in charge of meeting these extravagant requirements, but feels that for the most lavish water feature he will need an assistant. Sabine de Barra (Kate Winslet) is an unconventional candidate. She’s straight-talking, her designs disrupt the acknowledged standards of order and symmetry, and she’s a woman. Nonetheless, she wins the job and finds herself thrown into the court of the Sun King.
The etiquette of the court is foreign to Sabine, and her status as a single woman means that she is constantly under scrutiny. All of this must be faced after long, hard days working in the garden. As Sabine battles with the difficult terrain, and with the King’s exacting demands, she is also battling with her own heart. She is haunted by the memory of her daughter and, perhaps most seriously of all, she finds herself falling for André.