K (Ryan Gosling) is a Blade Runner, hunting down old-model replicants, synthetic slaves who once mounted an uprising against the human race. In the neon and shadows of futuristic Los Angeles, K lives a lonely life. His only companion is his holographic girlfriend Joi (Ana de Armas), who is programmed to please him.
Then while out on a routine job, K stumbles across a mystery which could disrupt the delicate truce between humans and replicants, leading to all-out war. As he follows the trail of clues, pursued by ruthless replicant-maker Niander Wallace (Jared Leto), K must confront a crisis that goes right to the heart of who he is.
Carol (Lake Bell) is an aspiring voiceover artist who’s grown up in the shadow of her father, Sam Soto (Fred Melamed), an industry icon. Sam belittles her career chances as a woman in the voiceover world, preferring to encourage male protégé Gustav (Ken Marino). She’s also at odds with her father for other reasons, resenting his young girlfriend Jamie (Alexandra Holden), who seems to represent the kind of ‘baby-voiced’ femininity Carol hates.
When Jamie moves in and Carol is kicked out of Sam’s house, she moves in with her sister Dani (Michaela Watkins) and brother-in-law Moe (Rob Corddry), who are going through a rough patch in their marriage. Trying to keep things together in her personal life whilst pushing ahead professionally, Carol must find a way to make her voice heard.
Bright, beautiful young Effie Gray (Dakota Fanning) marries renowned art critic John Ruskin (Greg Wise), a man who is significantly older and wealthier than her, and whom she has known since childhood. To Effie, it seems like a fairy tale – but from their wedding night onwards, something is terribly wrong. The newlyweds move in with Ruskin’s overbearing parents, and over the years which follow, her in-laws interference and her husband’s neglect cause Effie to waste away.
A ray of hope comes in the form of Lady Eastlake (Emma Thompson), an acquaintance who offers a sympathetic ear. A trip to Venice sets Effie’s mind whirling as to the other possibilities which life could offer; and a holiday to Scotland with Ruskin’s handsome protégé Everett Millais (Tom Sturridge) could bring scandal or salvation.
The Scoop – A joyous and uplifting addition to the Disney pantheon
Long ago, the trickster god Maui (Dwayne Johnson) stole the Heart of Te Fiti – a stone belonging to an island goddess, which possessed the power to create life. When Maui was attacked by the lava demon Te Ka, the Heart of Te Fiti was lost, bringing down a curse which would eventually spread to all the surrounding islands.
A thousand years later, Chieftain’s daughter Moana (Auli’i Cravalho) is preparing to take on her responsibilities as a leader on the island of Motunui. Her father (Temuera Morrison) has forbidden her to go out on the ocean, but she can’t help but feel drawn there. When Motunui’s resources are threatened by a mysterious darkness, Moana’s grandmother (Rachel House) tells her that she is the chosen one: she must discover the truth about her seafaring ancestors, find Maui, and restore the Heart of Te Fiti.
Love & Friendship is rated U – no material likely to offend or harm.
The Scoop – A razor-shape take on a little-known Austen story
Lady Susan Vernon (Kate Beckinsale) – beautiful, widowed and wickedly witty – arrives to stay with her in-laws amid a cloud of society gossip. While Catherine DeCourcy Vernon (Emma Greenwell), her deceased husband’s sister, regards Susan with suspicion, Catherine’s handsome brother Reginald (Xavier Samuel) is soon smitten, much to the horror of his family.
When Susan’s daughter Frederica (Morfydd Clark) runs away from school, she too comes to stay with the DeCourcys – and idiotic suitor Sir James Martin (Tom Bennett) soon follows. With steely resolve, and with her friend Mrs Johnson (Chloe Sevigny) at her side, Susan sets about securing a future for herself and her daughter.
The Scoop – A funny and insightful screwball comedy about growing up and knowing who you are.
Tracy (Lola Kirke) is struggling to settle into college in New York. Nobody wants to be her friend, the Literary Society don’t want her as a member, and the boy she likes would rather be with someone else. So on impulse, she calls the only other person she knows in town: Brooke (Greta Gerwig), who is set to become Tracy’s stepsister when her mother remarries in the summer.
Though she’s hardly any older than Tracy, Brooke seems to occupy a whole other world, full of exciting possibilities. A friendship with Brooke – self-mythologiser, over-sharer, enormous fun, and quite possibly an enormous fake – will be unlike any other.
The Scoop –As human and subversive as it is noisy and brash, Mad Max: Fury Road is a journey like no other.
In the post-apocalyptic desert that was once Australia, former warrior for justice Max Rockatansky (Tom Hardy) has been reduced to his basest survival instincts. Captured by men who serve the tyrannical warlord Immortan Joe (Hugh Keays-Byrne), Max is imprisoned and has his blood drained into sick soldier Nux (Nicholas Hoult).
Meanwhile Imperator Furiosa (Charlize Theron), one of Joe’s lieutenants, is sent on a mission to collect gasoline from a nearby town. But en-route she drives her truck wildly off course, and Joe realises that she has kidnapped five of his ‘wives’ – young women kept for breeding – and is making a desperate bid for freedom.
When Nux and the other soldiers set off in pursuit, Max is brought along – and so begins a terrifying odyssey through the wasteland.
The Scoop – At once delicate and deeply powerful, Room finds hope in the midst of unimaginable horrors.
Jack (Jacob Tremblay) is turning five. He’s excited to celebrate his birthday by making a cake with his beloved Ma (Brie Larson). Jack’s life is happy and colourful, filled with daydreams and imaginary friends. Jack’s world is the size of a single room.
But now he’s bigger, Ma wants him to know something. The world outside, the pretend world he thought only existed on TV, is real. And Ma is concocting a plan to escape the clutches of their captor, leaving Room behind forever.
The Scoop – Though not as riotously entertaining as David O. Russel’s best work, Joy nevertheless provides a great showcase for Jennifer Lawrence as a truly inspirational woman.
Joy (Jennifer Lawrence) was a creative, vivacious, high-achieving child. But somewhere along the line, life stole her spark. Her parents’ divorce, a failed marriage to Tony (Edgar Ramirez), caring for two children, trying to hold down a job, and managing the chaos that her mother (Virginia Madsen), father (Robert De Niro) and half-sister (Elisabeth Rohm) throw her way, have all caused Joy to sideline her own dreams.
Her grandmother Mimi (Diane Ladd) is determined to see Joy rise and take her place as matriarch and provider for the family. And when Joy hits on an ingenious design for a self-wringing mop, it could be the key to unleashing her buried potential.