Think a two-and-a-half hour subtitled drama about the AIDS epidemic in 1990s France sounds like a drag? Think again. BPM (Beats Per Minute) is electrifying cinema, bringing a moment in history vividly to life, and challenging us to live more urgently and truthfully ourselves.
The film revolves around the Paris chapter of ACT UP, a motley group of activists battling the apathy of government officials and the self-interest of pharmaceutical companies. New recruit Nathan (Arnaud Valois) is drawn into the drama of political protest – and into a romance with HIV-positive Sean (Nahuel Pérez Biscayart).
BPM is available to rent from Curzon Home Cinema. The film is rated 15 for strong sex, nudity, sex references, language.
In 1930s Tenessee, 31-year-old ‘spinster’ Laura (Carey Mulligan) makes a marriage of convenience to Henry McAllen (Jason Clarke) – despite being more attracted to his charming brother Jamie (Garret Hedlund). When the war breaks out, Jamie enlists, while Henry announces that he will be moving Laura, their children and his elderly father (Jonathan Banks) to a farm on the Mississippi delta.
Hap Jackson (Rob Morgan), one of Henry’s tenants, longs to own the land that he farms, as did his slave ancestors before him. His wife Florence (Mary J Blige) agrees to work for the McAllens, fearing what her absence might mean for her own children. Meanwhile their son Ronsel (Jason Mitchell) becomes a sergeant in a tank regiment, discovering that in Europe he’s seen as a liberator and a hero, not a second class citizen.
When the war ends, bringing Jamie and Ronsel home, the precarious balance of both family’s lives comes under threat.
Carol (Lake Bell) is an aspiring voiceover artist who’s grown up in the shadow of her father, Sam Soto (Fred Melamed), an industry icon. Sam belittles her career chances as a woman in the voiceover world, preferring to encourage male protégé Gustav (Ken Marino). She’s also at odds with her father for other reasons, resenting his young girlfriend Jamie (Alexandra Holden), who seems to represent the kind of ‘baby-voiced’ femininity Carol hates.
When Jamie moves in and Carol is kicked out of Sam’s house, she moves in with her sister Dani (Michaela Watkins) and brother-in-law Moe (Rob Corddry), who are going through a rough patch in their marriage. Trying to keep things together in her personal life whilst pushing ahead professionally, Carol must find a way to make her voice heard.
Richard (Joel Edgerton) and Mildred (Ruth Negga) are young, in love and expecting a baby. The year is 1958: because Richard is white and Mildred is black, a marriage between them will be illegal in their home state of Virginia. In order to get married, they will have to cross state lines.
After a small ceremony in Washington they return to live quietly in the town of Central Point. But though their own rural community is relatively integrated, the state authorities have got wind of their relationship, leading to the couple being arrested after a night-time raid on their home. In order to avoid prison time, they must accept a 25-year banishment from the state of Virginia, meaning a separation from family and friends.
As the years pass and their children grow up in the city, Mildred in particular misses her home, and begins to wonder if anything can be done to overturn the ruling. A phone call from the American Civil Liberties Union ignites her hope – setting this unassuming couple on the path to changing history.