The Scoop – At once delicate and deeply powerful, Room finds hope in the midst of unimaginable horrors.
Jack (Jacob Tremblay) is turning five. He’s excited to celebrate his birthday by making a cake with his beloved Ma (Brie Larson). Jack’s life is happy and colourful, filled with daydreams and imaginary friends. Jack’s world is the size of a single room.
But now he’s bigger, Ma wants him to know something. The world outside, the pretend world he thought only existed on TV, is real. And Ma is concocting a plan to escape the clutches of their captor, leaving Room behind forever.
The Scoop – A sweeping and beautifully designed 1950s love story
Therese Belevit (Rooney Mara), a wide-eyed New York shopgirl, is captivated by her first glimpse of a glamorous older customer in a fur coat. When Carol (Cate Blanchett) leaves her gloves behind in the store, Therese returns them, and the two women begin spending time together. Though neither of them quite has the words to convey it, they are drawn together by a powerful attraction.
Carol is divorcing her husband Harge (Kyle Chandler), but he is still possessive of her. When he finds out about Therese, he threatens Carol with legal action that would block her from seeing their young daughter.
The Scoop – A snappy, pacy drama that’s got far more to offer than just surface gloss
Three different years: 1984, 1988, 1998. Three different product launches. Behind the scenes, self-described tech genius Steve Jobs (Michael Fassbender) gets ready to wow the world.
He argues – with everyone. With his right-hand woman Joanna Hoffman (Kate Winslet), the only person who isn’t intimidated by him. With Apple co-founder Steve Wozniak (Seth Rogen), who wants Jobs to publicly recognise the contributions of others. With his old boss and father figure John Sculley (Jeff Daniels). With Chrisann Brennan (Katherine Waterston), who is struggling to convince him that her daughter Lisa (Makenzie Moss/Ripley Sobo/Perla Haney-Jardine) is his. And eventually, with Lisa herself, as she takes him to task for all of his personal failings.
Note: Guides from our archive are in a slightly different format and have been edited here to make them more user-friendly. This guide was written by Rachel Helen Smith.
A Little Chaos is rated 12 for moderate sex. The film is available on DVD.
What King Louis XIV (Alan Rickman) wants, he gets. In 1682, he decides he wants a monumental garden for the Palace of Versailles, full of terraces, ponds and fountains. Landscape architect André le Nôtre (Matthias Schoenaerts) is put in charge of meeting these extravagant requirements, but feels that for the most lavish water feature he will need an assistant. Sabine de Barra (Kate Winslet) is an unconventional candidate. She’s straight-talking, her designs disrupt the acknowledged standards of order and symmetry, and she’s a woman. Nonetheless, she wins the job and finds herself thrown into the court of the Sun King.
The etiquette of the court is foreign to Sabine, and her status as a single woman means that she is constantly under scrutiny. All of this must be faced after long, hard days working in the garden. As Sabine battles with the difficult terrain, and with the King’s exacting demands, she is also battling with her own heart. She is haunted by the memory of her daughter and, perhaps most seriously of all, she finds herself falling for André.
Note: Guides from our archive are in a slightly different format and have been edited here to make them more user-friendly.
Interstellar is rated 12 for infrequent strong language, moderate threat, violence. The film is available on DVD.
Earth, the not-so-distant future. Cooper (Matthew McConaughey) scrapes a living as a farmer, dwelling on his past as a failed astronaut and dreaming of the day when the human race will reach for the stars once again. The future for his children, Murph (Mackenzie Foy) and Tom (Timothée Chalamet) looks bleak: years of drought have reduced the country to a dustbowl, with worse environmental catastrophe looming ahead.
The appearance of a strange gravitational phenomenon in his daughter’s room leads Cooper to a secret base, where he discovers the world’s best-kept secret. The NASA space program, thought long defunct, has been sending astronauts to a faraway galaxy through a newly discovered wormhole, in the hope of finding a viable new planet for mankind. Under the leadership of Professor Brand (Michael Caine) and his daughter Amelia (Anne Hathaway), this ‘Lazarus Project’ is about to launch its most ambitious mission yet – and Brand wants Cooper to be part of it.
Cooper leaves knowing that he may never see his children again. Even if he returns, the vagaries of special relativity will mean they’ve aged more rapidly than him. While he flies away through space and time in an attempt to save the world, a grown-up Murph (Jessica Chastain) must decide whether she can ever forgive him.
Boyhood is rated 15 for strong language, sex references, drug use
Mason (Ellar Coltrane) is six. He cycles around the neighbourhood with his friends, talks with his mother (Patricia Arquette) about his problems at school, and squabbles with his older sister Samantha (Lorelei Linklater). Their estranged father (Ethan Hawke) drops by at the weekend to shower his children with gifts and empty promises.
Mason is seven. The family are moving house. He is eight; nine; his mother remarries. His father takes him camping. As we watch him and his family grow older before our eyes over the course of twelve years, milestone moments fly by. Innocence is lost, and experience gained. Their lives, like our own, are completely ordinary – and completely extraordinary.