Joe (Nick Robinson) is sick of putting up with the moods of his distant, widowed father (Nick Offerman). Meanwhile, Joe’s best friend Patrick (Gabriel Basso) is being driven round the bend by his own doting parents, the Keenans (Megan Mullally and Marc Evan Jackson). The two teenagers make a pact: they’ll run away and build their own house deep in the woods, make their own rules, and live their own lives. Somehow, diminutive oddball Biaggio (Moises Arias) ends up tagging along with them.
For a while, everything seems perfect as the three boys enjoy their freedom – though their attempts to live off the land leave something to be desired. But then Joe invites Kelly (Erin Moriarty), the girl with whom he’s infatuated, into their secret idyll, and there’s trouble in paradise.
The Scoop – Bleak, brutal and often beautiful, The Revenant makes for a gruelling cinema experience.
In the wilderness of nineteenth century America, fur-trapper Hugh Glass (Leonardo DiCaprio) ekes out a living for himself and his half-Pawnee son, Hawk (Forrest Goodluck). While their hunting party is on the run from hostile natives, Glass is badly wounded in a bear attack. Though Captain Andrew Henry (Domhnall Gleeson) attempts to save him, unscrupulous Fitzgerald (Tom Hardy) believes it’s best to just let Glass die.
As Glass teeters on the boundary between life and death, Fitzgerald does something unforgivable. And Glass will get revenge, even if it means clawing his way out of his own grave.
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A Little Chaos is rated 12 for moderate sex. The film is available on DVD.
What King Louis XIV (Alan Rickman) wants, he gets. In 1682, he decides he wants a monumental garden for the Palace of Versailles, full of terraces, ponds and fountains. Landscape architect André le Nôtre (Matthias Schoenaerts) is put in charge of meeting these extravagant requirements, but feels that for the most lavish water feature he will need an assistant. Sabine de Barra (Kate Winslet) is an unconventional candidate. She’s straight-talking, her designs disrupt the acknowledged standards of order and symmetry, and she’s a woman. Nonetheless, she wins the job and finds herself thrown into the court of the Sun King.
The etiquette of the court is foreign to Sabine, and her status as a single woman means that she is constantly under scrutiny. All of this must be faced after long, hard days working in the garden. As Sabine battles with the difficult terrain, and with the King’s exacting demands, she is also battling with her own heart. She is haunted by the memory of her daughter and, perhaps most seriously of all, she finds herself falling for André.