Richard (Joel Edgerton) and Mildred (Ruth Negga) are young, in love and expecting a baby. The year is 1958: because Richard is white and Mildred is black, a marriage between them will be illegal in their home state of Virginia. In order to get married, they will have to cross state lines.
After a small ceremony in Washington they return to live quietly in the town of Central Point. But though their own rural community is relatively integrated, the state authorities have got wind of their relationship, leading to the couple being arrested after a night-time raid on their home. In order to avoid prison time, they must accept a 25-year banishment from the state of Virginia, meaning a separation from family and friends.
As the years pass and their children grow up in the city, Mildred in particular misses her home, and begins to wonder if anything can be done to overturn the ruling. A phone call from the American Civil Liberties Union ignites her hope – setting this unassuming couple on the path to changing history.
59-year-old Daniel Blake (Dave Johns) is in an impossible situation. Told by his doctor that he should’t work because of his dodgy heart, he nonetheless fails a Work Capability Assessment. So now he can’t claim sickness benefits, but he can’t look for a job either.
He meets and befriends young single mother Katie (Hayley Squires), whose own dealings with the benefits system have been equally nightmarish. Together they must fight to keep their dignity, and find hope in the midst of their desperation.
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Philomena is rated 12A for infrequent strong language and moderate sex references. The film is available to buy on DVD or to stream on Amazon Instant Video.
Labour spin doctor Martin Sixsmith (Steve Coogan), fired after an unforgivable political blunder, is down in the dumps. Once a journalist, he vaguely considers writing a book, though scoffs when someone suggests he look for a ‘human interest story’. He looks down his nose at this kind of ‘soft’ journalism – but then, just such a story falls right into his lap.
He hears about Philomena Lee (Judi Dench), a retired nurse from Ireland, who after a lifetime of silence has just told her daughter (Anna Maxwell Martin) about the baby boy she gave up for adoption fifty years before. A teenaged single mother, she was taken in by nuns who forcibly separated her from her son. Now all she has is a faded photograph of little Anthony, and a heavy burden of guilt and regret which her continued belief in God can’t relieve. She’s willing to share her story with Martin, if he will help her find out what happened to Anthony.
The search takes them to America, and into unfamiliar territory for both the cynical Martin and the frightened – but still faithful – Philomena.
High-Rise is rated 15 for strong violence, sex, very strong language
The Scoop – Stylish, gripping, possessed of a powerful nasty streak, High-Rise is not for the fainthearted.
Handsome, inscrutable Dr. Laing (Tom Hiddleston) moves into an apartment in a newly built high-rise block. The tower has every amenity, from a gym to a swimming pool and supermarket. He meets people from the floors below him – Wilder (Luke Evans) and his pregnant wife Helen (Elizabeth Moss) – and from the better-appointed floors above, including Charlotte (Sienna Miller) and the building’s penthouse-dwelling architect, Royal (Jeremy Irons).
Something is wrong in the tower. The extravagant lifestyles of those on the upper floors lead to simmering resentments beneath, spilling over into violence and anarchy. The thin veneer of civilisation will be peeled back to reveal the horrors beneath.
The Scoop –A powerful account of an essential chapter in history
Maud (Carey Mulligan) is a dutiful wife to Sonny (Ben Wishaw) and a loving mother to their young son George (Adam Michael Dodd). Her laundry job is back-breaking, and she barely has it in her to question why she is paid less than the men who work there, or why her supervisor routinely gets away with sexually assaulting the women in his charge.
When her friend Violet (Anne-Marie Duff) introduces her to the Suffragette movement, Maud’s frustration finally finds an outlet. Cautious at first, she is soon influenced by women such as Edith Ellyn (Helena Bonham Carter), Emily Wilding Davison (Natalie Press) and the movement’s outlaw leader Emmeline Pankhurst (Meryl Streep).
Maud is about to learn how much it will cost her to be a revolutionary. But the more she loses, the bolder she becomes.