Calvary is rated 15 for very strong language, strong sex references, bloody violence. The film is available on DVD.
Patient priest Father James Lavelle (Brendan Gleeson) hears confession. A voice on the other side of the grille – known to him, anonymous to us – recounts an appalling experience of childhood abuse at the hands of the priesthood. Father Lavelle is a good priest, the voice acknowledges, an innocent man – and for that very reason, he’s going to be shot. He has a week to get his affairs in order before the confessor will meet him on the beach, on Sunday, and end his life.
Instead of going to the police, Father Lavelle goes about his business as usual. His troubled daughter Fiona (Kelly Reilly) comes to stay, and he visits his parishioners; including sharp-tongued atheist Dr. Harte (Aiden Gillen), adulterous Veronica Brennan (Orla O’Rourke), the husband who might be beating her (Chris O’Dowd), mechanic Simon (Isaach De Bankolé) and arrogant banker Fitzgerald (Dylan Moran). He encounters a male prostitute (Owen Sharpe), a serial killer (Domhnall Gleeson) and a grieving widow (Marie-Josée Croze). In unexpected places, he comes across faith and doubt, fear and solace, anger and grace.
Against the backdrop of a country caught between past pain and the crises of the present, Father Lavelle will suffer and possibly die for all of these people.
The Scoop – A film with a big heart but not without bite, The Lady in the Van is a funny and touching showcase for its leads.
In a Camden suburb, one person disrupts the comings and goings of the comfortable, middle-class residents. She is Miss Shepherd (Maggie Smith), a chaotic force of nature whose personality is as overpowering as the smell inside the van where she lives. When playwright and actor Alan Bennett (Alex Jennings) moves into the neighbourhood, he makes the mistake of offering her a little sympathy – and so begins a peculiar relationship which will span the next fifteen years.
To the bewilderment of everyone around him, Alan allows Miss Shepherd to park her van on his driveway, becoming a permanent part of his life. Is this a cynical attempt at getting material for his writing, a symptom of his guilt around his relationship with his mother (Gwen Taylor), or a genuine act of kindness? Alan isn’t sure. And whatever the truth, Miss Shepherd isn’t going anywhere.
I was looking after myself, Miss Shepherd only incidentally; kindness didn’t really come into it. – Alan Bennett