The Shape of Water is rated 15 for strong violence, language, sex, nudity
It’s the height of the Cold War, and Elisa (Sally Hawkins) works as a cleaner at a military facility in Baltimore. She’s isolated by her disability – she’s mute – but has two true friends in Giles (Richard Jenkins), her artist neighbour, and Zelda (Octavia Spencer), her warmhearted co-worker.
When a man called Strickland (Michael Shannon) arrives at the facility with a mysterious ‘asset’ in tow, Elisa is immediately intrigued. This scaly creature (Doug Jones), worshipped as a God by Amazon tribes, is in danger of being killed and dissected by a government only interested in gaining an advantage over the Russians.
Elisa vows to save him – and in the process her tentative bond with the creature becomes a strange and wonderful love affair.
This is a child-friendly guide; some of the discussion questions are for younger viewers. Paddington 2 is rated PG for mild threat.
Paddington (voice of Ben Wishaw) is now living happily with the Brown family, and has friends all over the neighbourhood. But though he’s settled into London life, he’s still thinking of Aunt Lucy (voice of Imelda Staunton), who he left behind in Peru. He wants to send her a very special birthday present, and he thinks he’s found the perfect gift – a beautiful pop-up book showing famous landmarks of London.
But while Paddington is trying to save enough money to buy the book, it catches the attention of egotistical faded actor Phoenix Buchanan (Hugh Grant). He knows that there’s more to the book than meets the eye, and hatches a devious plan to steal it and frame Paddington for the theft.
With their beloved bear wrongly imprisoned, it’s up to Mrs Brown (Sally Hawkins), Mr Brown (Hugh Bonneville) and the rest of Paddington’s friends to clear his name.
It’s the latest thing in food production. Lucy Mirando, the new CEO of the formerly ruthless Mirando corporation, is happy to announce that they have developed a new breed of genetically engineered super-pig. As part of a publicity stunt meant to bolster Mirando’s touchy-feely new image, twenty six piglets will be sent out to farms in different parts of the world to be raised by local farmers using traditional methods.
In South Korea, a pig named Okja is brought up by young Mija (Seo Hyun) and her grandfather (Byun Hee-Bong). Girl and pig share a close bond – and Mija is heartbroken when the Mirando corporation return to claim what’s theirs. To make matters worse, animal rights activist Jay (Paul Dano) tells her that Okja is being sent to America to be slaughtered. Can Mija and her friends make a stand and save Okja’s bacon?
Usually, it’s the people with power – but sometimes, their wishes die with them. When Queen Victoria died in 1901, one of the most important chapters in her life was erased, and it took more than a hundred years and some intrepid journalism to recover it.
The upcoming historical drama (in UK cinemas 15th September) reveals the extraordinary true story of an unexpected friendship in the later years of Queen Victoria’s (Academy Award winner Judi Dench) remarkable rule. When Abdul Karim (Ali Fazal), a young clerk, travels from India to participate in the Queen’s Golden Jubilee, he is surprised to find favour with the Queen herself. As the Queen questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance with a loyalty to one another that her household and inner circle all attempt to destroy. As the friendship deepens, the Queen begins to see a changing world through new eyes and joyfully reclaims her humanity.
Damaris Media is partnering with Age UK to spread the word about the film. Age UK has a vision for helping everyone love later life – and Victoria & Abdul tells the story of someone learning to do just that.
This companion booklet includes a glimpse into the film, an insight into the making of it, and a chance to reflect on the themes within.
Last week Damaris Media gathered together community leaders and influencers for a sneak preview of Victoria & Abdul, a new historical drama coming to cinemas 15th September.
The film, which stars Judi Dench and Ali Fazal, tells the true story of an elderly Queen Victoria’s friendship with her Indian aide Abdul Karim. It’s gently comedic, but also an insightful look at the loneliness which can sometimes accompany old age, and the way that human connection can restore life and dignity.
We invited representatives of charities like the Samaritans, Rotary and Age
Action Alliance – as well as luminaries such as Dame Jenni Murray and former Vogue editor Alexandra Shulman – to see what they made of the film. I spoke to John Norley, CEO of Age UK Medway, about the challenges he sees in the community he works with, and how Victoria & Abdul might speak to
Joe (Nick Robinson) is sick of putting up with the moods of his distant, widowed father (Nick Offerman). Meanwhile, Joe’s best friend Patrick (Gabriel Basso) is being driven round the bend by his own doting parents, the Keenans (Megan Mullally and Marc Evan Jackson). The two teenagers make a pact: they’ll run away and build their own house deep in the woods, make their own rules, and live their own lives. Somehow, diminutive oddball Biaggio (Moises Arias) ends up tagging along with them.
For a while, everything seems perfect as the three boys enjoy their freedom – though their attempts to live off the land leave something to be desired. But then Joe invites Kelly (Erin Moriarty), the girl with whom he’s infatuated, into their secret idyll, and there’s trouble in paradise.
Imagine sitting down for a meal with someone different to you.
Something stopped you coming here before. The expectation of awkward silence, perhaps. The suspicion that your worst fears about the other person might be confirmed. Your discomfort with the unknown.
But as you begin to look at each other, to eat together, something shifts. You talk about everyday things, and begin to enjoy each other’s company. A joke catches you off-guard, and you start to laugh. You forget yourself.
Life-affirming new documentary Summer in the Forest is in cinemas and online June 23. This poetic film follows the life of the L’Arche community in Trosly, France, where people with learning disabilities and those who support them have found what it truly means to be human.
This companion booklet introduces the stars of the film, and the transforming wisdom of Jean Vanier, who founded the L’Arche movement.
We couldn’t be more pleased and proud to be supporting the release of Summer in the Forest, a beautiful and life-affirming documentary which will be released in cinemas and on V-O-D 23rd June.
The film (directed by Randall Wright) follows Philippe, Michel, Andre and Patrick, who were locked away and forgotten in violent asylums until the 1960s, when the young philosopher Jean Vanier took a stand and secured their release. Together they created L’Arche Trosly-Breuil, a community at the edge of a beautiful forest near Paris. A quiet revolution was born.
L’Arche (which now has 151 Communities in 37 countries) has a vision for a world where people with learning disabilities and their carers can discover a fuller life together. As part of the process of creating a companion booklet to go alongside Summer in the Forest, I paid a visit to the L’Arche Community closest to where Damaris Media is based: L’Arche Bognor Regis, on the South coast a short distance from the sea.
This guide comes from our archive. It was written by Rachel Helen Smith.
Martin (Pierce Brosnan) is a disgraced TV presenter. Jess (Imogen Poots) is the wild child daughter of a politician. JJ (Aaron Paul) is a failed musician from America. Maureen (Toni Collette) is a single mother with a disabled son. These four characters could hardly be more different, but they share a common intent: they want to kill themselves.
Their lives collide one New Year’s Eve on the roof of ‘Toppers’ House’, a popular London suicide spot. The unlikely situation allows them to form an equally unlikely bond, and they all commit to surviving the next six weeks. One holiday, two trips to the hospital and one media firestorm later they’re still friends. But will it be enough to convince them that life is worth living after all?