When stand-up comedian Kumail (Kumail Nanjiani) is heckled by graduate student Emily (Zoe Kazan) at one of his shows, it leads to a flirtation, which leads to a one-night stand – and then, unexpectedly, to something more serious. But their blossoming relationship is about to hit two major roadblocks.
The first is Kumail’s parents, first-generation Pakistani immigrants who dote on their son but are determined that he will have a traditional arranged marriage. And the second is a mysterious illness which lands Emily in hospital, in a medically induced coma. As he waits anxiously by her side and wrestles with his doubts about their relationship, Kumail forms a bond with her parents (Ray Romano and Holly Hunter) which will change everything.
Earlier this year we supported the release of The Shack, an adaptation of the bestselling book starring Octavia Spencer and Sam Worthington. We knew that because of its unusual approach to exploring questions around faith and suffering, this film would particularly resonate with the UK church community.
‘Damaris were passionate about sharing the film effectively and as widely as possible throughout the UK church community, covering all denominations. I found them to be very creative with their ideas, to have a great network of relationships, and to be reliable and efficient at introducing the film to leaders and laity alike.’ – The Shack director Stuart Hazeldine
Lots of people seized the opportunity to see The Shack in cinemas, and we had a great response to our resources. In Reading, Ann and Keith Wilson brought together about 150 people from their Baptist church community and beyond to watch the film and talk about it afterwards – I asked Ann how this came about.
‘As a Union of 2000 churches, Baptists Together live and breathe engaging with their local communities. To enable this, they need good support and excellent resources. Damaris, through their film resources have been helping us brilliantly for a long time. Enabling local churches to put on their own screening of The Shack is a significant and exciting development in that equipping.’ – Mike Lowe, Baptists Together
Joe (Nick Robinson) is sick of putting up with the moods of his distant, widowed father (Nick Offerman). Meanwhile, Joe’s best friend Patrick (Gabriel Basso) is being driven round the bend by his own doting parents, the Keenans (Megan Mullally and Marc Evan Jackson). The two teenagers make a pact: they’ll run away and build their own house deep in the woods, make their own rules, and live their own lives. Somehow, diminutive oddball Biaggio (Moises Arias) ends up tagging along with them.
For a while, everything seems perfect as the three boys enjoy their freedom – though their attempts to live off the land leave something to be desired. But then Joe invites Kelly (Erin Moriarty), the girl with whom he’s infatuated, into their secret idyll, and there’s trouble in paradise.
Baby (Ansel Elgort) has a talent. As long as he’s plugged in to a playlist on one of his many iPods, blocking out the tinnitus that’s been ringing in his ears since childhood, he’s the best getaway driver in town.
Again and again he’s roped into bank robberies by Doc (Kevin Spacey), a crime lord to whom he owes a longstanding debt. This means working with the unsavoury characters in Doc’s constantly rotating crew, including unstable Batts (Jamie Foxx) and ruthless lovers Buddy (Jon Hamm) and Darling (Eliza Gonzalez).
What Baby really wants is to leave this all behind, and drive off into the sunset with diner waitress Debora (Lily James). But getting out of Doc’s clutches could be the hardest and most costly escape of his life.
Imagine sitting down for a meal with someone different to you.
Something stopped you coming here before. The expectation of awkward silence, perhaps. The suspicion that your worst fears about the other person might be confirmed. Your discomfort with the unknown.
But as you begin to look at each other, to eat together, something shifts. You talk about everyday things, and begin to enjoy each other’s company. A joke catches you off-guard, and you start to laugh. You forget yourself.
Life-affirming new documentary Summer in the Forest is in cinemas and online June 23. This poetic film follows the life of the L’Arche community in Trosly, France, where people with learning disabilities and those who support them have found what it truly means to be human.
This companion booklet introduces the stars of the film, and the transforming wisdom of Jean Vanier, who founded the L’Arche movement.
We couldn’t be more pleased and proud to be supporting the release of Summer in the Forest, a beautiful and life-affirming documentary which will be released in cinemas and on V-O-D 23rd June.
The film (directed by Randall Wright) follows Philippe, Michel, Andre and Patrick, who were locked away and forgotten in violent asylums until the 1960s, when the young philosopher Jean Vanier took a stand and secured their release. Together they created L’Arche Trosly-Breuil, a community at the edge of a beautiful forest near Paris. A quiet revolution was born.
L’Arche (which now has 151 Communities in 37 countries) has a vision for a world where people with learning disabilities and their carers can discover a fuller life together. As part of the process of creating a companion booklet to go alongside Summer in the Forest, I paid a visit to the L’Arche Community closest to where Damaris Media is based: L’Arche Bognor Regis, on the South coast a short distance from the sea.
Llewyn Davis (Oscar Isaac) is a loser. Though a talented musician, he just can’t seem to catch a break, drifting through the 1960s New York folk scene and missing every opportunity by inches. He sleeps on a different sofa every night, relying on favours and luck to get by. But Llewyn seems to deflect luck almost intentionally.
Now winter is closing in, he’s got no money in his pocket, and a fling with Jean (Carey Mulligan) – wife of his friend Jim (Justin Timberlake) – may have resulted in a pregnancy. The singer’s shambling odyssey is punctuated by sporadic encounters with a ginger cat, which seems to know something he doesn’t.
Carol (Lake Bell) is an aspiring voiceover artist who’s grown up in the shadow of her father, Sam Soto (Fred Melamed), an industry icon. Sam belittles her career chances as a woman in the voiceover world, preferring to encourage male protégé Gustav (Ken Marino). She’s also at odds with her father for other reasons, resenting his young girlfriend Jamie (Alexandra Holden), who seems to represent the kind of ‘baby-voiced’ femininity Carol hates.
When Jamie moves in and Carol is kicked out of Sam’s house, she moves in with her sister Dani (Michaela Watkins) and brother-in-law Moe (Rob Corddry), who are going through a rough patch in their marriage. Trying to keep things together in her personal life whilst pushing ahead professionally, Carol must find a way to make her voice heard.