K (Ryan Gosling) is a Blade Runner, hunting down old-model replicants, synthetic slaves who once mounted an uprising against the human race. In the neon and shadows of futuristic Los Angeles, K lives a lonely life. His only companion is his holographic girlfriend Joi (Ana de Armas), who is programmed to please him.
Then while out on a routine job, K stumbles across a mystery which could disrupt the delicate truce between humans and replicants, leading to all-out war. As he follows the trail of clues, pursued by ruthless replicant-maker Niander Wallace (Jared Leto), K must confront a crisis that goes right to the heart of who he is.
Damaris Media CEO Tim Waldron blogs about his time at the Mothers’ Union General Meeting in Edinburgh
We’re thrilled to have partnered with Mothers’ Union to spread the word about Victoria & Abdul, the historical drama still charming audiences in UK cinemas.
Queen Victoria was the first Royal Patron of Mothers’ Union. The organisation believes in the power of relationships to bring down barriers – and Victoria & Abdul tells the story of the most unlikely friendship in history.
We worked with Mothers’ Union to create a special companion booklet offering a glimpse behind the scenes of the film, and a chance to reflect on themes of reconciliation and ‘welcoming the stranger’ – ideas close to the organisation’s heart.
Mothers’ Union is an international charity that aims to demonstrate the Christian faith in action through the transformation of communities worldwide. They work with people of all faiths and none in 83 countries to promote stable marriage, family life and the protection of children.
Last weekend I was able to take a (pleasingly short) flight up from Southampton to Edinburgh, and join in with the Mothers’ Union General Meeting. This gathering, which takes place every year, is a day of fellowship, celebration and inspiration, welcoming members and non-members from across the UK. The theme this year was ‘Faith in Action’, featuring a keynote speech from Canon Sarah Snyder, the Archbishop of Canterbury’s top advisor.
Damaris Media aims to build sustainable, mutually beneficial relationships with community groups, and it was fantastic to meet lots of people who had used and loved our Victoria & Abdul resources. The feedback we got from delegates was extremely positive and there was a real sense of buzz around the topic of our partnership, which was highlighted on the main stage as a great new venture for the Mothers’ Union team. People were impressed with the quality of the resources – and they loved the film.
‘We had a wonderful branch outing to see the film; Our members all thoroughly enjoyed it.’ – North Yorkshire branch
I heard countless stories of groups seeing and enjoying the film together – there was even a group of delegates going to see the movie that evening in Edinburgh! Others had left their branches strict instructions to see the movie over the weekend so that they could use our Companion Booklet at next week’s branch meeting.
I left the gathering feeling hugely encouraged about the impact of what we do: our work with Mothers’ Union is a prime example of how our partnerships work. The film company covers the costs, Damaris Media works with the community group’s central body – and as a result, local groups get a valued opportunity. Everyone’s a winner!
First They Killed My Father is available on Netflix
Loung (Sareum Srey Moch) lives an ordinary life in Pnom Penh with her brothers, sisters, mother (Sveng Socheata) and beloved father (Phoeung Kompheak). She catches glimpses of fighting and bombs on the television, but none of it means much to her. Then one day an army marches through the streets outside, and Loung’s world changes forever.
The Khmer Rouge have taken power in Cambodia, and Loung’s father – an educated employee of the former government – could be in serious danger. The family must hide their identity as they are turned out of their home and forced into a labour camp. As conditions worsen and her former life begins to feel ever further away, Loung loses her innocence piece by piece.
It’s the latest thing in food production. Lucy Mirando, the new CEO of the formerly ruthless Mirando corporation, is happy to announce that they have developed a new breed of genetically engineered super-pig. As part of a publicity stunt meant to bolster Mirando’s touchy-feely new image, twenty six piglets will be sent out to farms in different parts of the world to be raised by local farmers using traditional methods.
In South Korea, a pig named Okja is brought up by young Mija (Seo Hyun) and her grandfather (Byun Hee-Bong). Girl and pig share a close bond – and Mija is heartbroken when the Mirando corporation return to claim what’s theirs. To make matters worse, animal rights activist Jay (Paul Dano) tells her that Okja is being sent to America to be slaughtered. Can Mija and her friends make a stand and save Okja’s bacon?
Usually, it’s the people with power – but sometimes, their wishes die with them. When Queen Victoria died in 1901, one of the most important chapters in her life was erased, and it took more than a hundred years and some intrepid journalism to recover it.
The upcoming historical drama (in UK cinemas 15th September) reveals the extraordinary true story of an unexpected friendship in the later years of Queen Victoria’s (Academy Award winner Judi Dench) remarkable rule. When Abdul Karim (Ali Fazal), a young clerk, travels from India to participate in the Queen’s Golden Jubilee, he is surprised to find favour with the Queen herself. As the Queen questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance with a loyalty to one another that her household and inner circle all attempt to destroy. As the friendship deepens, the Queen begins to see a changing world through new eyes and joyfully reclaims her humanity.
Damaris Media is partnering with Age UK to spread the word about the film. Age UK has a vision for helping everyone love later life – and Victoria & Abdul tells the story of someone learning to do just that.
This companion booklet includes a glimpse into the film, an insight into the making of it, and a chance to reflect on the themes within.
Last week Damaris Media gathered together community leaders and influencers for a sneak preview of Victoria & Abdul, a new historical drama coming to cinemas 15th September.
The film, which stars Judi Dench and Ali Fazal, tells the true story of an elderly Queen Victoria’s friendship with her Indian aide Abdul Karim. It’s gently comedic, but also an insightful look at the loneliness which can sometimes accompany old age, and the way that human connection can restore life and dignity.
We invited representatives of charities like the Samaritans, Rotary and Age
Action Alliance – as well as luminaries such as Dame Jenni Murray and former Vogue editor Alexandra Shulman – to see what they made of the film. I spoke to John Norley, CEO of Age UK Medway, about the challenges he sees in the community he works with, and how Victoria & Abdul might speak to
When stand-up comedian Kumail (Kumail Nanjiani) is heckled by graduate student Emily (Zoe Kazan) at one of his shows, it leads to a flirtation, which leads to a one-night stand – and then, unexpectedly, to something more serious. But their blossoming relationship is about to hit two major roadblocks.
The first is Kumail’s parents, first-generation Pakistani immigrants who dote on their son but are determined that he will have a traditional arranged marriage. And the second is a mysterious illness which lands Emily in hospital, in a medically induced coma. As he waits anxiously by her side and wrestles with his doubts about their relationship, Kumail forms a bond with her parents (Ray Romano and Holly Hunter) which will change everything.
Earlier this year we supported the release of The Shack, an adaptation of the bestselling book starring Octavia Spencer and Sam Worthington. We knew that because of its unusual approach to exploring questions around faith and suffering, this film would particularly resonate with the UK church community.
‘Damaris were passionate about sharing the film effectively and as widely as possible throughout the UK church community, covering all denominations. I found them to be very creative with their ideas, to have a great network of relationships, and to be reliable and efficient at introducing the film to leaders and laity alike.’ – The Shack director Stuart Hazeldine
Lots of people seized the opportunity to see The Shack in cinemas, and we had a great response to our resources. In Reading, Ann and Keith Wilson brought together about 150 people from their Baptist church community and beyond to watch the film and talk about it afterwards – I asked Ann how this came about.
‘As a Union of 2000 churches, Baptists Together live and breathe engaging with their local communities. To enable this, they need good support and excellent resources. Damaris, through their film resources have been helping us brilliantly for a long time. Enabling local churches to put on their own screening of The Shack is a significant and exciting development in that equipping.’ – Mike Lowe, Baptists Together
Joe (Nick Robinson) is sick of putting up with the moods of his distant, widowed father (Nick Offerman). Meanwhile, Joe’s best friend Patrick (Gabriel Basso) is being driven round the bend by his own doting parents, the Keenans (Megan Mullally and Marc Evan Jackson). The two teenagers make a pact: they’ll run away and build their own house deep in the woods, make their own rules, and live their own lives. Somehow, diminutive oddball Biaggio (Moises Arias) ends up tagging along with them.
For a while, everything seems perfect as the three boys enjoy their freedom – though their attempts to live off the land leave something to be desired. But then Joe invites Kelly (Erin Moriarty), the girl with whom he’s infatuated, into their secret idyll, and there’s trouble in paradise.