In 1930s Tenessee, 31-year-old ‘spinster’ Laura (Carey Mulligan) makes a marriage of convenience to Henry McAllen (Jason Clarke) – despite being more attracted to his charming brother Jamie (Garret Hedlund). When the war breaks out, Jamie enlists, while Henry announces that he will be moving Laura, their children and his elderly father (Jonathan Banks) to a farm on the Mississippi delta.
Hap Jackson (Rob Morgan), one of Henry’s tenants, longs to own the land that he farms, as did his slave ancestors before him. His wife Florence (Mary J Blige) agrees to work for the McAllens, fearing what her absence might mean for her own children. Meanwhile their son Ronsel (Jason Mitchell) becomes a sergeant in a tank regiment, discovering that in Europe he’s seen as a liberator and a hero, not a second class citizen.
When the war ends, bringing Jamie and Ronsel home, the precarious balance of both family’s lives comes under threat.
This is a child-friendly guide; some of the discussion questions are for younger viewers. Paddington 2 is rated PG for mild threat.
Paddington (voice of Ben Wishaw) is now living happily with the Brown family, and has friends all over the neighbourhood. But though he’s settled into London life, he’s still thinking of Aunt Lucy (voice of Imelda Staunton), who he left behind in Peru. He wants to send her a very special birthday present, and he thinks he’s found the perfect gift – a beautiful pop-up book showing famous landmarks of London.
But while Paddington is trying to save enough money to buy the book, it catches the attention of egotistical faded actor Phoenix Buchanan (Hugh Grant). He knows that there’s more to the book than meets the eye, and hatches a devious plan to steal it and frame Paddington for the theft.
With their beloved bear wrongly imprisoned, it’s up to Mrs Brown (Sally Hawkins), Mr Brown (Hugh Bonneville) and the rest of Paddington’s friends to clear his name.
K (Ryan Gosling) is a Blade Runner, hunting down old-model replicants, synthetic slaves who once mounted an uprising against the human race. In the neon and shadows of futuristic Los Angeles, K lives a lonely life. His only companion is his holographic girlfriend Joi (Ana de Armas), who is programmed to please him.
Then while out on a routine job, K stumbles across a mystery which could disrupt the delicate truce between humans and replicants, leading to all-out war. As he follows the trail of clues, pursued by ruthless replicant-maker Niander Wallace (Jared Leto), K must confront a crisis that goes right to the heart of who he is.
When stand-up comedian Kumail (Kumail Nanjiani) is heckled by graduate student Emily (Zoe Kazan) at one of his shows, it leads to a flirtation, which leads to a one-night stand – and then, unexpectedly, to something more serious. But their blossoming relationship is about to hit two major roadblocks.
The first is Kumail’s parents, first-generation Pakistani immigrants who dote on their son but are determined that he will have a traditional arranged marriage. And the second is a mysterious illness which lands Emily in hospital, in a medically induced coma. As he waits anxiously by her side and wrestles with his doubts about their relationship, Kumail forms a bond with her parents (Ray Romano and Holly Hunter) which will change everything.
This guide comes from our archive. It was written by Rachel Helen Smith.
Martin (Pierce Brosnan) is a disgraced TV presenter. Jess (Imogen Poots) is the wild child daughter of a politician. JJ (Aaron Paul) is a failed musician from America. Maureen (Toni Collette) is a single mother with a disabled son. These four characters could hardly be more different, but they share a common intent: they want to kill themselves.
Their lives collide one New Year’s Eve on the roof of ‘Toppers’ House’, a popular London suicide spot. The unlikely situation allows them to form an equally unlikely bond, and they all commit to surviving the next six weeks. One holiday, two trips to the hospital and one media firestorm later they’re still friends. But will it be enough to convince them that life is worth living after all?
This guide comes from our archive. It was written by Rachel Helen Smith.
The once ill-tempered super-villain Gru (Steve Carell) has given up a life of crime in order to care for his boisterous adopted daughters, Agnes (Elsie Fisher), Edith (Dana Gaier) and Margo (Miranda Cosgrove). However, when someone steals a secret Arctic laboratory using a giant magnet, The Anti-Villain League (AVL) recruit Gru to help them find the thief. He is put to work alongside perky undercover AVL agent Lucy Wilde (Kristen Wiig) and finds himself hiding out in a bakery at The Paradise Shopping Mall.
Life at home is just as eventful. Gru’s assistant Dr. Nefario (Russell Brand) has decided that he misses being evil and is leaving for a new job. Margo has fallen for the handsome young Antonio (Moisés Arias). Agnes must recite a poem about mothers in the school performance, but really she longs for a mother of her own. To top it all, Gru’s minions keep going missing. But most despicable of all, everyone seems insistent on helping Gru to fall in love…
La La Land is rated 12A for infrequent strong language
Aspiring actress Mia (Emma Stone) and jazz fanatic Sebastian (Ryan Gosling) cross paths in Los Angeles. The city is full of dreamers, and Mia and Sebastian are no exception: she wants to be a star on the silver screen, while he wants to open his own jazz club. From their first encounter, sparks fly between them, and soon they are falling in love.
Their relationship plays out against the sweeping backdrop of Hollywood, to a soundtrack of wistful musical numbers. Will they get where they want to go – and will their love survive the journey?
The Scoop – An eerie, atmospheric sci-fi story which packs an emotional punch
When twelve silent, monolithic alien spaceships touch down at twelve locations across the planet, humanity is thrown into chaos. Nobody knows what the aliens want, and whether they are dangerous. In Montana, linguistics professor Louise Banks (Amy Adams) is brought in, along with physicist Ian Donnelly (Jeremy Renner), to try and find a way of talking to these extraterrestrial visitors.
Working against the clock, under the suspicious eye of the FBI and of Army Colonel Weber (Forest Whitaker), Louise and Ian must decipher the strange symbols which the aliens use to communicate. As the tension mounts and global war threatens, Louise finds that her immersion in this new language is changing her in unexpected ways.
59-year-old Daniel Blake (Dave Johns) is in an impossible situation. Told by his doctor that he should’t work because of his dodgy heart, he nonetheless fails a Work Capability Assessment. So now he can’t claim sickness benefits, but he can’t look for a job either.
He meets and befriends young single mother Katie (Hayley Squires), whose own dealings with the benefits system have been equally nightmarish. Together they must fight to keep their dignity, and find hope in the midst of their desperation.
Calvary is rated 15 for very strong language, strong sex references, bloody violence. The film is available on DVD.
Patient priest Father James Lavelle (Brendan Gleeson) hears confession. A voice on the other side of the grille – known to him, anonymous to us – recounts an appalling experience of childhood abuse at the hands of the priesthood. Father Lavelle is a good priest, the voice acknowledges, an innocent man – and for that very reason, he’s going to be shot. He has a week to get his affairs in order before the confessor will meet him on the beach, on Sunday, and end his life.
Instead of going to the police, Father Lavelle goes about his business as usual. His troubled daughter Fiona (Kelly Reilly) comes to stay, and he visits his parishioners; including sharp-tongued atheist Dr. Harte (Aiden Gillen), adulterous Veronica Brennan (Orla O’Rourke), the husband who might be beating her (Chris O’Dowd), mechanic Simon (Isaach De Bankolé) and arrogant banker Fitzgerald (Dylan Moran). He encounters a male prostitute (Owen Sharpe), a serial killer (Domhnall Gleeson) and a grieving widow (Marie-Josée Croze). In unexpected places, he comes across faith and doubt, fear and solace, anger and grace.
Against the backdrop of a country caught between past pain and the crises of the present, Father Lavelle will suffer and possibly die for all of these people.