We could not be happier to have been brought on board by Universal Pictures for Mary Magdalene. Our team caught an early preview of the film and were completely knocked out by it: and we knew that our many contacts in the UK church community would find it captivating too.
In a way, the film is quite an unusual proposition. It’s a biblical drama which makes a serious engagement with the person of Jesus and the Gospel accounts – but it’s more concerned with the spirit than the letter. It’s not a ‘Christian’ film, but people of faith who come to it with an open mind will find a rich and rewarding experience. For those who don’t believe, it’s a reminder of the fertile ground that biblical stories can still offer for creative exploration.
The A-List talent behind the film and the care and respect with which it’s been crafted make Mary Magdalene unmissable cinema.
We’re thrilled to be working with event cinema experts CinemaLive in bringing Handel’s Messiah from Bristol Old Vic to cinemas across the UK and Ireland. This dramatised production, in cinemas for one night only (Wednesday 28th March 2018), retells the Easter story in a striking new way.
Messiah is the most popular choral work ever written in English. The music was composed by George Frederic Handel in 1741, over a period of just 24 days. The words were put together from the King James Bible and the Book of Common Prayer by Handel’s collaborator Charles Jennens, who wanted to create ‘a meditation of our Lord as Messiah in Christian thought and belief’.
Damaris Media CEO Tim Waldron blogs about his time at the Mothers’ Union General Meeting in Edinburgh
We’re thrilled to have partnered with Mothers’ Union to spread the word about Victoria & Abdul, the historical drama still charming audiences in UK cinemas.
Queen Victoria was the first Royal Patron of Mothers’ Union. The organisation believes in the power of relationships to bring down barriers – and Victoria & Abdul tells the story of the most unlikely friendship in history.
We worked with Mothers’ Union to create a special companion booklet offering a glimpse behind the scenes of the film, and a chance to reflect on themes of reconciliation and ‘welcoming the stranger’ – ideas close to the organisation’s heart.
Mothers’ Union is an international charity that aims to demonstrate the Christian faith in action through the transformation of communities worldwide. They work with people of all faiths and none in 83 countries to promote stable marriage, family life and the protection of children.
Last weekend I was able to take a (pleasingly short) flight up from Southampton to Edinburgh, and join in with the Mothers’ Union General Meeting. This gathering, which takes place every year, is a day of fellowship, celebration and inspiration, welcoming members and non-members from across the UK. The theme this year was ‘Faith in Action’, featuring a keynote speech from Canon Sarah Snyder, the Archbishop of Canterbury’s top advisor.
Damaris Media aims to build sustainable, mutually beneficial relationships with community groups, and it was fantastic to meet lots of people who had used and loved our Victoria & Abdul resources. The feedback we got from delegates was extremely positive and there was a real sense of buzz around the topic of our partnership, which was highlighted on the main stage as a great new venture for the Mothers’ Union team. People were impressed with the quality of the resources – and they loved the film.
‘We had a wonderful branch outing to see the film; Our members all thoroughly enjoyed it.’ – North Yorkshire branch
I heard countless stories of groups seeing and enjoying the film together – there was even a group of delegates going to see the movie that evening in Edinburgh! Others had left their branches strict instructions to see the movie over the weekend so that they could use our Companion Booklet at next week’s branch meeting.
I left the gathering feeling hugely encouraged about the impact of what we do: our work with Mothers’ Union is a prime example of how our partnerships work. The film company covers the costs, Damaris Media works with the community group’s central body – and as a result, local groups get a valued opportunity. Everyone’s a winner!
Three countries. Three teenagers. One average, life-altering day.
Natives is a new play currently on at the Southwark Playhouse in London. We’re used to working with film companies, but we were intrigued when Boundless Theatre, the company behind Natives, asked us if we’d consider creating resources for school groups based on the play.
I loved Glenn Waldron’s script, which takes an empathic and generous stance towards its teen protagonists. It sensitively explores what it means to be a ‘digital native’ – the quest for popularity, the warped intimacy, the intrusions of violence, the potential for real connection. There was plenty to bite into when it came to putting together this worksheet for GCSE and A-Level drama groups.
A few of us from the Damaris Media team were lucky enough to see Natives in performance earlier this week. The production – which stars Ella Purnell, Fionn Whitehead and Manish Gandhi – has already been getting rave reviews from the likes of The Guardian, The Metro and Theatre Full Stop, and it definitely lives up to all of this hype.
The action plays out in a small, intimate performance space, on a mostly bare stage which is illuminated by digital projections. It’s up to the three young leads to carry the story, which concerns three teenagers in different parts of the globe who must wrestle with the intersection between their digital lives and their ‘real’ ones. All three are excellent, but Purnell is the standout – recognisable from film roles in the likes of Never Let Me Go and Maleficent, she has a charismatic presence, funny, sharp and poignant by turns.
The 90-minute running time zips past, building to a powerful finale which posits a tentative hope for the future of the digital generation. That’s what’s so refreshing about Natives: it isn’t a critique of young people so much as the older generation who have bequeathed them a broken world.
‘Where are the grown-ups to do something, where are the grown-ups in this story?’
The play will hopefully have a long life both in performance (Boundless are planning to tour it) and in the classroom, where it could inspire teenagers to recognise the world-changing power they hold in their hands.