In 1930s Tenessee, 31-year-old ‘spinster’ Laura (Carey Mulligan) makes a marriage of convenience to Henry McAllen (Jason Clarke) – despite being more attracted to his charming brother Jamie (Garret Hedlund). When the war breaks out, Jamie enlists, while Henry announces that he will be moving Laura, their children and his elderly father (Jonathan Banks) to a farm on the Mississippi delta.
Hap Jackson (Rob Morgan), one of Henry’s tenants, longs to own the land that he farms, as did his slave ancestors before him. His wife Florence (Mary J Blige) agrees to work for the McAllens, fearing what her absence might mean for her own children. Meanwhile their son Ronsel (Jason Mitchell) becomes a sergeant in a tank regiment, discovering that in Europe he’s seen as a liberator and a hero, not a second class citizen.
When the war ends, bringing Jamie and Ronsel home, the precarious balance of both family’s lives comes under threat.
First They Killed My Father is available on Netflix
Loung (Sareum Srey Moch) lives an ordinary life in Pnom Penh with her brothers, sisters, mother (Sveng Socheata) and beloved father (Phoeung Kompheak). She catches glimpses of fighting and bombs on the television, but none of it means much to her. Then one day an army marches through the streets outside, and Loung’s world changes forever.
The Khmer Rouge have taken power in Cambodia, and Loung’s father – an educated employee of the former government – could be in serious danger. The family must hide their identity as they are turned out of their home and forced into a labour camp. As conditions worsen and her former life begins to feel ever further away, Loung loses her innocence piece by piece.
It’s the latest thing in food production. Lucy Mirando, the new CEO of the formerly ruthless Mirando corporation, is happy to announce that they have developed a new breed of genetically engineered super-pig. As part of a publicity stunt meant to bolster Mirando’s touchy-feely new image, twenty six piglets will be sent out to farms in different parts of the world to be raised by local farmers using traditional methods.
In South Korea, a pig named Okja is brought up by young Mija (Seo Hyun) and her grandfather (Byun Hee-Bong). Girl and pig share a close bond – and Mija is heartbroken when the Mirando corporation return to claim what’s theirs. To make matters worse, animal rights activist Jay (Paul Dano) tells her that Okja is being sent to America to be slaughtered. Can Mija and her friends make a stand and save Okja’s bacon?
This guide comes from our archive. It was written by Rachel Helen Smith.
Martin (Pierce Brosnan) is a disgraced TV presenter. Jess (Imogen Poots) is the wild child daughter of a politician. JJ (Aaron Paul) is a failed musician from America. Maureen (Toni Collette) is a single mother with a disabled son. These four characters could hardly be more different, but they share a common intent: they want to kill themselves.
Their lives collide one New Year’s Eve on the roof of ‘Toppers’ House’, a popular London suicide spot. The unlikely situation allows them to form an equally unlikely bond, and they all commit to surviving the next six weeks. One holiday, two trips to the hospital and one media firestorm later they’re still friends. But will it be enough to convince them that life is worth living after all?
Bright, beautiful young Effie Gray (Dakota Fanning) marries renowned art critic John Ruskin (Greg Wise), a man who is significantly older and wealthier than her, and whom she has known since childhood. To Effie, it seems like a fairy tale – but from their wedding night onwards, something is terribly wrong. The newlyweds move in with Ruskin’s overbearing parents, and over the years which follow, her in-laws interference and her husband’s neglect cause Effie to waste away.
A ray of hope comes in the form of Lady Eastlake (Emma Thompson), an acquaintance who offers a sympathetic ear. A trip to Venice sets Effie’s mind whirling as to the other possibilities which life could offer; and a holiday to Scotland with Ruskin’s handsome protégé Everett Millais (Tom Sturridge) could bring scandal or salvation.
Reserved, eccentric Eric Lomax (Colin Firth) loves trains. He spends his time train-spotting at stations, and curating his collection of timetables. It’s when travelling on a train that he meets Patti (Nicole Kidman), a beautiful woman who isn’t put off by his shyness. One whirlwind romance later, and the two are married.
But Eric has a secret, and as they settle into their life together, Patti discovers that he’s a haunted man. He’s dogged by horrifying nightmares and flashbacks, and though he won’t tell her what’s wrong, his friend Finlay (Stellan Skarsgård) agrees to reveal the truth. As young men, they were taken prisoner during the Second World War and forced to work on the notorious Thai-Burma railway.
The young Eric (Jeremy Irvine) and his friends secretly built a radio in the prison camp, and were caught in the act by their Japanese captors. What followed would leave Eric with deep physical and emotional scars – including an enduring hatred for a man called Nagase (Tanroh Ishida/Hiroyuki Sanada). Can Patti help Eric to untangle the pain of the past, and find some kind of peace?
This guide comes from our archive. It was written by Rachel Helen Smith.
Christine (Nicole Kidman) wakes up every morning remembering nothing. Gradually, she pieces things together. Her walls are plastered with photos of her wedding day to help her remember that she is married to Ben (Colin Firth), the man she finds lying next to her in bed. Every drawer is labelled to help her find her clothes and downstairs is a list of her allergies, hobbies and interests. She spends her days working out who she is and simply passing the time until she goes back to sleep and forgets the day’s events all over again.
Her condition is a result of a traumatic accident that she suffered fourteen years ago and which, of course, she cannot remember. Unbeknown to Ben, she has begun a course of treatment with Dr Nash (Mark Strong) in an attempt to help her recall what really happened. He encourages her to keep a video diary of her daily experiences and soon she is beginning to question everything around her. Can she really trust the secretive Dr Nash? What about Ben, who claims to keep certain things hidden from her for the good of their marriage? Or are her concerns simply the products of a paranoid mind?
Little Saroo (Sunny Pawar) lives with his mother (Priyanka Bose), sister (Khushi Solanki) and beloved older brother Guddu (Abhishek Bharate) in a village near Khandwa, India. One night, he follows Guddu to the station, where his brother plans to spend the night scavenging on passenger trains. When Saroo unwittingly falls asleep aboard a train, he is separated from Guddu – and finds himself travelling thousands of miles across the country, towards Calcutta.
Far from home and unable to speak the language, Saroo is swallowed up in the vastness of the city. Evading dangers at every turn, he ends up in an orphanage. The future looks bleak until he is told that an Australian couple, Sue and John Brierly (Nicole Kidman and David Wenham), want to adopt him.
Twenty years later, Saroo is a bright and athletic young Australian (Dev Patel) who is set to study Hotel Management in Melbourne. He meets fellow student Lucy (Rooney Mara) and begins to fall in love. But something is missing. The taste of a food from his childhood brings memories flooding back, and Saroo realises that he can’t rest until he’s found home.
Richard (Joel Edgerton) and Mildred (Ruth Negga) are young, in love and expecting a baby. The year is 1958: because Richard is white and Mildred is black, a marriage between them will be illegal in their home state of Virginia. In order to get married, they will have to cross state lines.
After a small ceremony in Washington they return to live quietly in the town of Central Point. But though their own rural community is relatively integrated, the state authorities have got wind of their relationship, leading to the couple being arrested after a night-time raid on their home. In order to avoid prison time, they must accept a 25-year banishment from the state of Virginia, meaning a separation from family and friends.
As the years pass and their children grow up in the city, Mildred in particular misses her home, and begins to wonder if anything can be done to overturn the ruling. A phone call from the American Civil Liberties Union ignites her hope – setting this unassuming couple on the path to changing history.