Damaris resources bring films to new audiences, start conversations, and enrich lives. Find out more at www.damarismedia.com
Here at the Damaris Film Blog, we publish regular discussion guides to help you make the most of the latest cinema releases.
The Scoop – A pitch-dark satire on the contemporary relationship game. Would make an excellent double-bill with ‘Her‘.
Think it’s tough being single? At least you don’t live in the off-kilter futuristic world inhabited by David (Colin Farrell). When his wife leaves him, he is sent to stay in a hotel where he and a large group of other singletons have forty-five days to fall in love with someone, or be turned into an animal. David decides that if it comes to that, he’ll be a lobster. He’s always liked the sea.
When things at the hotel go awry, David runs away to the woods, where he encounters a group of rebel Loners whose fearsome leader (Lea Seydoux) enacts bloody punishments on those who are tempted by romance. Falling in love with a Loner woman (Rachel Weisz) could be a short-sighted move.
Some honesty, upfront: I am not much of a Bond fan. Both in the sense that I haven’t seen a lot of Bond, and in that I’m not hugely keen on what I have seen. Unlike many of my friends, I didn’t grow up watching old Bond films, so they don’t even have nostalgic appeal for me. But I recognise that for many people, they offer just the right kind of escapist entertainment.
The release of a new Bond film is a major cultural event, and it’s well worth pausing to ask why. Here are some questions to reflect on as Spectre, ostensibly Daniel Craig’s last outing as Bond, hits cinemas.
Yup, it’s finally here. After months of seeing doctored versions of this image all over the internet, the real Back to the Future Day has arrived. Don your self-lacing trainers, get on your hoverboard, re-hydrate a pizza, and celebrate Doc and Marty’s arrival in our present.
I hope that you, like me, will be re-watching BTTF2 tonight. In the meantime, here are five questions to ask about this classic series of films.
Why does Back to the Future have such enduring appeal? Films become classics for a reason. The original BTTF is a blast of pure entertainment: it’s got action, it’s got comedy, it’s got a fantastic soundtrack, it’s got romance, it’s got crazy science. It’s got a cast who all knock it out of the park. But more than anything, it’s centred on a perfect gem of a story idea.
What can we learn from the films’ vision of the past? What happens when we start seeing our parents as people? Do we inevitably inherit their flaws, or can we change our own destiny? Nostalgia tells us that the past was a cleaner, more innocent place: but is this really true?
What can we learn from the films’ vision of the future? What hopes and anxieties can we read into the second film’s vision of the year 2015? Did any of these actually come to pass? What kind of future do today’s Sci-Fi films imagine?
Why are we so fascinated by Back to the Future Day? People have been sharing that image for months – why do we get such a kick out of it? Are we amused because the real future is better than the one the film imagined, or disappointed because it’s not as good? Does it make us feel old, and maybe even a little frightened, to know that the future is now the present?
Why does Marty’s paternal grandmother look exactly like his mother? And who, I ask, who in the world, thought those Irish accents were a good idea?
The Scoop –A powerful account of an essential chapter in history
Maud (Carey Mulligan) is a dutiful wife to Sonny (Ben Wishaw) and a loving mother to their young son George (Adam Michael Dodd). Her laundry job is back-breaking, and she barely has it in her to question why she is paid less than the men who work there, or why her supervisor routinely gets away with sexually assaulting the women in his charge.
When her friend Violet (Anne-Marie Duff) introduces her to the Suffragette movement, Maud’s frustration finally finds an outlet. Cautious at first, she is soon influenced by women such as Edith Ellyn (Helena Bonham Carter), Emily Wilding Davison (Natalie Press) and the movement’s outlaw leader Emmeline Pankhurst (Meryl Streep).
Maud is about to learn how much it will cost her to be a revolutionary. But the more she loses, the bolder she becomes.
The Scoop – Matt Damon’s stuck in space, again. And he needs saving, again.
When a fierce storm during a manned mission to Mars leaves astronaut Mark Watney stranded alone on the red planet, it seems all hope is lost. But Watney is not the type to give up easily. Using his botany skills, his ingenuity and a lot of duct tape, he sets about staying alive until somebody can come and rescue him.
Help is only 140 million miles away. Back on Earth, NASA head Teddy Sanders (Jeff Daniels) and his colleagues – including mission director Vincent Kapoor (Chiwetel Ejiofor) and spokesperson Annie Monroe (Kristen Wiig) – try to figure out how to achieve the impossible.
Meanwhile, Watney’s commander Melissa Lewis (Jessica Chastain) and the rest of her crew are on their return voyage, still believing that they left him for dead. What will they do if they find out the truth?
For years, the Damaris Film Blog has been providing discussion guides on the latest cinema releases. And now, we’re excited to be back – refreshed, renewed, revitalised. Redesigned. Raring to go.
By popular demand, we’ve started republishing our back-catalogue of guides. There’s already something for everyone, from animated mega-hit Frozen to teen tearjerker The Fault in Our Stars to the mind-bending Interstellar. Do shout if there’s something in particular you’d like to see on the site – we’ll be getting more old stuff online very soon.
But enough of the old. What about the new? Your editor, Sophie, can’t wait to get back to the cinema and catch up with the best current releases. In the coming weeks, expect new-style discussion guides, as well as a whole lot of other film-related musings and fun.
I get lonely if no-one talks to me. Tweet @damarismedia or email [email protected] I’d love to hear what you liked about the old Damaris Film Blog, and what you’d like to see us doing in the future.