On 5th October, New York Times journalists Jodi Kantor and Megan Twohey published a story detailing decades of sexual harrassment allegations against Hollywood mega-producer Harvey Weinstein. This predatory behaviour had been part of the rumour mill for years, but previous attempts to publish anything substantial had fallen foul of Weinstein’s far-reaching influence.
This article went off in Hollywood like a bomb. Within days, Weinstein had been sacked, and more women were coming forward. On 10th October, the New Yorker published a piece by journalist Ronan Farrow accusing Weinstein of many more counts of sexual harassment and assault. High-profile actresses like Angelina Jolie and Gwyneth Paltrow joined the chorus.
And it didn’t stop there. Emboldened, women – and men – across the entertainment industry spoke about their own experiences of being sexually harassed, assaulted and intimated at work. Their stories implicated Kevin Spacey, Steven Segal, producer Brett Ratner, comedian Louis CK, and many more. They lifted a lid on a toxic culture where powerful men feel entitled to do whatever they want, without fearing consequences.
This is a child-friendly guide; some of the discussion questions are for younger viewers. Paddington 2 is rated PG for mild threat.
Paddington (voice of Ben Wishaw) is now living happily with the Brown family, and has friends all over the neighbourhood. But though he’s settled into London life, he’s still thinking of Aunt Lucy (voice of Imelda Staunton), who he left behind in Peru. He wants to send her a very special birthday present, and he thinks he’s found the perfect gift – a beautiful pop-up book showing famous landmarks of London.
But while Paddington is trying to save enough money to buy the book, it catches the attention of egotistical faded actor Phoenix Buchanan (Hugh Grant). He knows that there’s more to the book than meets the eye, and hatches a devious plan to steal it and frame Paddington for the theft.
With their beloved bear wrongly imprisoned, it’s up to Mrs Brown (Sally Hawkins), Mr Brown (Hugh Bonneville) and the rest of Paddington’s friends to clear his name.
K (Ryan Gosling) is a Blade Runner, hunting down old-model replicants, synthetic slaves who once mounted an uprising against the human race. In the neon and shadows of futuristic Los Angeles, K lives a lonely life. His only companion is his holographic girlfriend Joi (Ana de Armas), who is programmed to please him.
Then while out on a routine job, K stumbles across a mystery which could disrupt the delicate truce between humans and replicants, leading to all-out war. As he follows the trail of clues, pursued by ruthless replicant-maker Niander Wallace (Jared Leto), K must confront a crisis that goes right to the heart of who he is.
Damaris Media CEO Tim Waldron blogs about his time at the Mothers’ Union General Meeting in Edinburgh
We’re thrilled to have partnered with Mothers’ Union to spread the word about Victoria & Abdul, the historical drama still charming audiences in UK cinemas.
Queen Victoria was the first Royal Patron of Mothers’ Union. The organisation believes in the power of relationships to bring down barriers – and Victoria & Abdul tells the story of the most unlikely friendship in history.
We worked with Mothers’ Union to create a special companion booklet offering a glimpse behind the scenes of the film, and a chance to reflect on themes of reconciliation and ‘welcoming the stranger’ – ideas close to the organisation’s heart.
Mothers’ Union is an international charity that aims to demonstrate the Christian faith in action through the transformation of communities worldwide. They work with people of all faiths and none in 83 countries to promote stable marriage, family life and the protection of children.
Last weekend I was able to take a (pleasingly short) flight up from Southampton to Edinburgh, and join in with the Mothers’ Union General Meeting. This gathering, which takes place every year, is a day of fellowship, celebration and inspiration, welcoming members and non-members from across the UK. The theme this year was ‘Faith in Action’, featuring a keynote speech from Canon Sarah Snyder, the Archbishop of Canterbury’s top advisor.
Damaris Media aims to build sustainable, mutually beneficial relationships with community groups, and it was fantastic to meet lots of people who had used and loved our Victoria & Abdul resources. The feedback we got from delegates was extremely positive and there was a real sense of buzz around the topic of our partnership, which was highlighted on the main stage as a great new venture for the Mothers’ Union team. People were impressed with the quality of the resources – and they loved the film.
‘We had a wonderful branch outing to see the film; Our members all thoroughly enjoyed it.’ – North Yorkshire branch
I heard countless stories of groups seeing and enjoying the film together – there was even a group of delegates going to see the movie that evening in Edinburgh! Others had left their branches strict instructions to see the movie over the weekend so that they could use our Companion Booklet at next week’s branch meeting.
I left the gathering feeling hugely encouraged about the impact of what we do: our work with Mothers’ Union is a prime example of how our partnerships work. The film company covers the costs, Damaris Media works with the community group’s central body – and as a result, local groups get a valued opportunity. Everyone’s a winner!
First They Killed My Father is available on Netflix
Loung (Sareum Srey Moch) lives an ordinary life in Pnom Penh with her brothers, sisters, mother (Sveng Socheata) and beloved father (Phoeung Kompheak). She catches glimpses of fighting and bombs on the television, but none of it means much to her. Then one day an army marches through the streets outside, and Loung’s world changes forever.
The Khmer Rouge have taken power in Cambodia, and Loung’s father – an educated employee of the former government – could be in serious danger. The family must hide their identity as they are turned out of their home and forced into a labour camp. As conditions worsen and her former life begins to feel ever further away, Loung loses her innocence piece by piece.
It’s the latest thing in food production. Lucy Mirando, the new CEO of the formerly ruthless Mirando corporation, is happy to announce that they have developed a new breed of genetically engineered super-pig. As part of a publicity stunt meant to bolster Mirando’s touchy-feely new image, twenty six piglets will be sent out to farms in different parts of the world to be raised by local farmers using traditional methods.
In South Korea, a pig named Okja is brought up by young Mija (Seo Hyun) and her grandfather (Byun Hee-Bong). Girl and pig share a close bond – and Mija is heartbroken when the Mirando corporation return to claim what’s theirs. To make matters worse, animal rights activist Jay (Paul Dano) tells her that Okja is being sent to America to be slaughtered. Can Mija and her friends make a stand and save Okja’s bacon?
Usually, it’s the people with power – but sometimes, their wishes die with them. When Queen Victoria died in 1901, one of the most important chapters in her life was erased, and it took more than a hundred years and some intrepid journalism to recover it.
The upcoming historical drama (in UK cinemas 15th September) reveals the extraordinary true story of an unexpected friendship in the later years of Queen Victoria’s (Academy Award winner Judi Dench) remarkable rule. When Abdul Karim (Ali Fazal), a young clerk, travels from India to participate in the Queen’s Golden Jubilee, he is surprised to find favour with the Queen herself. As the Queen questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance with a loyalty to one another that her household and inner circle all attempt to destroy. As the friendship deepens, the Queen begins to see a changing world through new eyes and joyfully reclaims her humanity.
Damaris Media is partnering with Age UK to spread the word about the film. Age UK has a vision for helping everyone love later life – and Victoria & Abdul tells the story of someone learning to do just that.
This companion booklet includes a glimpse into the film, an insight into the making of it, and a chance to reflect on the themes within.
Last week Damaris Media gathered together community leaders and influencers for a sneak preview of Victoria & Abdul, a new historical drama coming to cinemas 15th September.
The film, which stars Judi Dench and Ali Fazal, tells the true story of an elderly Queen Victoria’s friendship with her Indian aide Abdul Karim. It’s gently comedic, but also an insightful look at the loneliness which can sometimes accompany old age, and the way that human connection can restore life and dignity.
We invited representatives of charities like the Samaritans, Rotary and Age
Action Alliance – as well as luminaries such as Dame Jenni Murray and former Vogue editor Alexandra Shulman – to see what they made of the film. I spoke to John Norley, CEO of Age UK Medway, about the challenges he sees in the community he works with, and how Victoria & Abdul might speak to
When stand-up comedian Kumail (Kumail Nanjiani) is heckled by graduate student Emily (Zoe Kazan) at one of his shows, it leads to a flirtation, which leads to a one-night stand – and then, unexpectedly, to something more serious. But their blossoming relationship is about to hit two major roadblocks.
The first is Kumail’s parents, first-generation Pakistani immigrants who dote on their son but are determined that he will have a traditional arranged marriage. And the second is a mysterious illness which lands Emily in hospital, in a medically induced coma. As he waits anxiously by her side and wrestles with his doubts about their relationship, Kumail forms a bond with her parents (Ray Romano and Holly Hunter) which will change everything.