It’s the latest thing in food production. Lucy Mirando, the new CEO of the formerly ruthless Mirando corporation, is happy to announce that they have developed a new breed of genetically engineered super-pig. As part of a publicity stunt meant to bolster Mirando’s touchy-feely new image, twenty six piglets will be sent out to farms in different parts of the world to be raised by local farmers using traditional methods.
In South Korea, a pig named Okja is brought up by young Mija (Seo Hyun) and her grandfather (Byun Hee-Bong). Girl and pig share a close bond – and Mija is heartbroken when the Mirando corporation return to claim what’s theirs. To make matters worse, animal rights activist Jay (Paul Dano) tells her that Okja is being sent to America to be slaughtered. Can Mija and her friends make a stand and save Okja’s bacon?
Usually, it’s the people with power – but sometimes, their wishes die with them. When Queen Victoria died in 1901, one of the most important chapters in her life was erased, and it took more than a hundred years and some intrepid journalism to recover it.
The upcoming historical drama (in UK cinemas 15th September) reveals the extraordinary true story of an unexpected friendship in the later years of Queen Victoria’s (Academy Award winner Judi Dench) remarkable rule. When Abdul Karim (Ali Fazal), a young clerk, travels from India to participate in the Queen’s Golden Jubilee, he is surprised to find favour with the Queen herself. As the Queen questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance with a loyalty to one another that her household and inner circle all attempt to destroy. As the friendship deepens, the Queen begins to see a changing world through new eyes and joyfully reclaims her humanity.
Damaris Media is partnering with Age UK to spread the word about the film. Age UK has a vision for helping everyone love later life – and Victoria & Abdul tells the story of someone learning to do just that.
This companion booklet includes a glimpse into the film, an insight into the making of it, and a chance to reflect on the themes within.
Last week Damaris Media gathered together community leaders and influencers for a sneak preview of Victoria & Abdul, a new historical drama coming to cinemas 15th September.
The film, which stars Judi Dench and Ali Fazal, tells the true story of an elderly Queen Victoria’s friendship with her Indian aide Abdul Karim. It’s gently comedic, but also an insightful look at the loneliness which can sometimes accompany old age, and the way that human connection can restore life and dignity.
We invited representatives of charities like the Samaritans, Rotary and Age
Action Alliance – as well as luminaries such as Dame Jenni Murray and former Vogue editor Alexandra Shulman – to see what they made of the film. I spoke to John Norley, CEO of Age UK Medway, about the challenges he sees in the community he works with, and how Victoria & Abdul might speak to
When stand-up comedian Kumail (Kumail Nanjiani) is heckled by graduate student Emily (Zoe Kazan) at one of his shows, it leads to a flirtation, which leads to a one-night stand – and then, unexpectedly, to something more serious. But their blossoming relationship is about to hit two major roadblocks.
The first is Kumail’s parents, first-generation Pakistani immigrants who dote on their son but are determined that he will have a traditional arranged marriage. And the second is a mysterious illness which lands Emily in hospital, in a medically induced coma. As he waits anxiously by her side and wrestles with his doubts about their relationship, Kumail forms a bond with her parents (Ray Romano and Holly Hunter) which will change everything.
Earlier this year we supported the release of The Shack, an adaptation of the bestselling book starring Octavia Spencer and Sam Worthington. We knew that because of its unusual approach to exploring questions around faith and suffering, this film would particularly resonate with the UK church community.
‘Damaris were passionate about sharing the film effectively and as widely as possible throughout the UK church community, covering all denominations. I found them to be very creative with their ideas, to have a great network of relationships, and to be reliable and efficient at introducing the film to leaders and laity alike.’ – The Shack director Stuart Hazeldine
Lots of people seized the opportunity to see The Shack in cinemas, and we had a great response to our resources. In Reading, Ann and Keith Wilson brought together about 150 people from their Baptist church community and beyond to watch the film and talk about it afterwards – I asked Ann how this came about.
‘As a Union of 2000 churches, Baptists Together live and breathe engaging with their local communities. To enable this, they need good support and excellent resources. Damaris, through their film resources have been helping us brilliantly for a long time. Enabling local churches to put on their own screening of The Shack is a significant and exciting development in that equipping.’ – Mike Lowe, Baptists Together
Joe (Nick Robinson) is sick of putting up with the moods of his distant, widowed father (Nick Offerman). Meanwhile, Joe’s best friend Patrick (Gabriel Basso) is being driven round the bend by his own doting parents, the Keenans (Megan Mullally and Marc Evan Jackson). The two teenagers make a pact: they’ll run away and build their own house deep in the woods, make their own rules, and live their own lives. Somehow, diminutive oddball Biaggio (Moises Arias) ends up tagging along with them.
For a while, everything seems perfect as the three boys enjoy their freedom – though their attempts to live off the land leave something to be desired. But then Joe invites Kelly (Erin Moriarty), the girl with whom he’s infatuated, into their secret idyll, and there’s trouble in paradise.
Baby (Ansel Elgort) has a talent. As long as he’s plugged in to a playlist on one of his many iPods, blocking out the tinnitus that’s been ringing in his ears since childhood, he’s the best getaway driver in town.
Again and again he’s roped into bank robberies by Doc (Kevin Spacey), a crime lord to whom he owes a longstanding debt. This means working with the unsavoury characters in Doc’s constantly rotating crew, including unstable Batts (Jamie Foxx) and ruthless lovers Buddy (Jon Hamm) and Darling (Eliza Gonzalez).
What Baby really wants is to leave this all behind, and drive off into the sunset with diner waitress Debora (Lily James). But getting out of Doc’s clutches could be the hardest and most costly escape of his life.
Imagine sitting down for a meal with someone different to you.
Something stopped you coming here before. The expectation of awkward silence, perhaps. The suspicion that your worst fears about the other person might be confirmed. Your discomfort with the unknown.
But as you begin to look at each other, to eat together, something shifts. You talk about everyday things, and begin to enjoy each other’s company. A joke catches you off-guard, and you start to laugh. You forget yourself.
Life-affirming new documentary Summer in the Forest is in cinemas and online June 23. This poetic film follows the life of the L’Arche community in Trosly, France, where people with learning disabilities and those who support them have found what it truly means to be human.
This companion booklet introduces the stars of the film, and the transforming wisdom of Jean Vanier, who founded the L’Arche movement.